Tuesday, January 24, 2012

The aberration amid blur and agenda photography

There are many differences between film and digital photography. To most amateur photographers they do not matter much. They prefer the convenience, ease of use and lower cost of digital cameras and are not going to revert to the film age. However understanding the differences can help taking even better photos and can also help when debating with friends about the future of film.

Following is a list of differences that are important to understand. The differences are listed in no particular order.

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The sensor: The most obvious difference between film and digital is the sensor used to take the photo. With film cameras a film sensitive to light is placed behind the lens. When a photo is taken the shutter opens for a predetermined period of time and light hits the film. The result is a photo "printed" on the film. To take a new photo the film has to be rolled and a fresh "clean" film is place behind the lens. With digital cameras a fixed electronic sensor (sometimes known as CCD) is situated behind the lens. The sensor is built from tiny light sensitive sensors each representing a pixel. When the shutter opens light hits the sensor and each pixel gets its "value". Put together all the pixels comprise one photo. To take a new photo the photo is saved on a digital media and the CCD is electronically emptied.

What does a different sensor mean? The main difference is in the Depth of Field. Since digital sensors are smaller in size than a 35mm film the depth of field will be much higher and in fact in most compact digital cameras almost infinite. The result is that blur backgrounds can not be created.

The cost of a photo: Photos taken with a digital camera literally cost nothing. The photos are kept in erasable memory and thus can always be discarded at no cost. Also the photos you would like to keep can be copied to digital media such as a computer's hard disk. With storage prices going down the cost of saving a photo on disk is practically zero. Film does cost money. With a film camera you have to pay for the roll of film, for developing the negative and for printing the photo. Every time you press the shutter button you spend money.

The capacity: With ever growing storage capacities digital cameras today can hold hundreds and sometimes thousands of photos on a single media. You can always have a few more in your pocket and changing is very fast. The result is that a digital camera has practically infinite capacity. You can shoot as many photos as you want and at the end of the day just dump them on your computer's disk. Film cameras' capacity is very limited. A roll of 36 photos can only hold 36 photos. After a roll is used changing to a new roll can take time and is not easy to do in scenarios such as darkness or a harsh environment. For that reason many professional journalists carry a few cameras on them and instead of changing rolls they turn and use another camera just so that they do not miss a shooting opportunity.

The feedback: One of the most important features of the digital camera is instant feedback. Almost all digital cameras include a small LCD screen. Once a photo is shot you can go back and watch it on that screen. The ability to see how the photo looks like results in better photos. If the photo is not good you can take another one. Being able to see the photos on the spot results in an educated decision how to fix a photo or how to better compose it. It takes a lot of the guessing away from photography. With film cameras there is no way to know how the photo on the film will look like when printed.

New shooting angles: Just a few days ago I took a great photo with my digital camera that I would have never taken with my film one. I shot a cat that was resting on little rock. I held the camera in my hand and positioned it down where it almost touched the ground and I started shooting. I probably took 50 or more photos. I immediately looked at the camera's LCD to review my photos and make sure they were focused and had the cat in them. The result was one great photo looking at the cat from the ground. I can not imagine myself just lying down on the dirty ground with a film camera looking through the viewfinder and perfecting that one shot.

With digital cameras you can actually take photos without having your eye glued to the viewfinder. Overhead shots where you raise the camera over your head are much easier to do since you can still see what the camera is shooting by just looking up at its LCD screen.

Correcting photos: With digital cameras photos can be corrected using photo editing software. Some correction abilities are built-in to the cameras but many more are available as software packages for your PC. With film cameras what you get is what you get. After the film is developed it is very hard to make any corrections. Usually if corrections are absolutely needed the negative or the printed photo will be scanned (i.e. converted to digital) corrected and then printed again (in a long and costly process).

Changing conditions: Every roll of film is designed for best results in a specific environment. For example there are indoor and outdoor films or films with different light sensitivity. If conditions change rapidly a film camera user will have to either shoot with the wrong film, change the roll (and usually lose photos that were not used in the current roll) or use another camera with a different film in it. The results of shooting with the wrong film can be distorted colors (reddish photos for example), a grainy photo and more.

With digital cameras the characteristics of the sensor can be changed instantly for each photo taken. With a click of a button the camera can be put in an indoor or outdoor mode, low light, night photography etc. Some cameras will automatically sense the scenario and set the sensor mode accordingly.

The myth of quality: While it is true that film photography has its advantages the claim for superior quality is no longer true. As digital camera evolved the quality of high end digital SLR cameras is superb and in many ways even better than film. When considering quality you should also consider the quality in terms of composition and the scenario caught in the photo. With digital cameras' high capacity, zero photo cost and instant adaptability to changing conditions photographers can produce better compositions and experiment more to get the best photo possible.

Longevity: We have also paged through old photo albums of our grandparents. The photo looked a a bit yellow, scratched and just plain "old". Storage of printed film photos or even negatives results in quality deterioration. Digital photos on the other hand never lose their quality. A digital photo will be identical today and 500 years from now. As long as we remember to refresh the digital media every now and then and to back it up our photos can literally list forever and not lose their quality.

The aberration amid blur and agenda photography

Sunday, January 22, 2012

The Best Small Digital Camera For the Money

For some time now I've been looking for the best small digital camera. I wanted a point and shoot, to carry around when I don't have the Nikon D80 with me. I wanted something small, with image stabilization, optical zoom, plus very good shutter speed.

In the end, after all the research I've done I decided to go either with the Canon SD 870, 850 IS or the G9. They all take very good photos, crispy and light, with a good IS. You can even zoom in and the images will still be sharp. If you take those photos at ISO 400, they will end up with less noise or the same noise as a D80.

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The cameras I just mentioned are small and quite good. The Canon 870IS is a small camera, which can fit easily in the pocket. The 850 was a present I made to some relatives of mine during the holidays and they are extremely satisfied with the photos it takes. As for G9, it's a camera that can shoot videos as well, and it's one of my favorites so far.

The prices of the cameras I mentioned so far:

Canon Powershot G9: 0, with an optical zoom of 6x and 12.1 megapixels

Canon Powershot SD870IS, that has 8 megapixels, a 3.8x optical zoom, at a price of 4

Canon Powershot SD950IS, priced at 0, with a 12.1 megapixel resolution and 3.7 optical zoom

Canon Powershot SD 850 IS, at 0, with 4x zoom and 8 megapixels

Another digital camera that was suggested to me was the Olympus SP-570UZ. After looking around for a bit, I think it's a camera that can be carried easily when you want to take a photo without carrying a DSLR with you. The camera has a good sensor, very good zoom, image stabilization and a large aperture. The price is also OK, at a price around 0 - 500. This version is the third that was launched in this series.

The storage of the Olympus SP-570UZ can be done on xD cards, which you need to buy separately. The camera also ships with editing software, which is called Olympus Master 2. I especially like the 20x optical dual image zoom. The 10 megapixel resolution makes sure that you can print photos at a 18 x 24 inch size.

Some of the technologies that come with the camera are dual image stabilization, face detection, perfect shot preview and shadow adjustment technology.

The Best Small Digital Camera For the Money

Friday, January 20, 2012

Check Out Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens for $599.00

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens Review


Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens Feature

  • 14.2-megapixel DX-format CMOS image sensor; 3-inch monitor with One-Touch Live View shooting and movie capture
  • Includes 3x 18-55mm Zoom-NIKKOR VR Image Stabilization lens
  • Full 1080p HD Cinematic Video with full-time autofocus and sound
  • Easy-To-Use Nikon Guide Mode with intuitive controls and on-board assistance
  • Capture images to SD/SDHC/SDXC memory cards (not included)

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens Overview

Nikon's affordable, compact and lightweight D3100 digital SLR features a high-resolution 14-megapixel CMOS DX sensor, high-quality 3x NIKKOR 18-55mm VR image stabilization zoom lens and intuitive onboard assistance including the learn-as-you grow Guide Mode.Capture beautiful pictures and amazing Full HD 1080p movies with sound and full-time autofocus. Easily capture the action other cameras miss with a fast start up time, split-second shutter release, 3 frames per second shooting and 11-point autofocus.

Available at Amazon Check Price Now!

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*** Product Information and Prices Stored: Jan 20, 2012 21:20:13

Digital Photography Tip - How To Photograph Christmas Lights

Christmas is coming and so is the urge for us who love digital photography to get out there in the burbs and photograph the beautiful Christmas lights. It's a beautiful time of year and when you are as passionate about digital photography as I am, then this is the time you whip that digital camera out.

Taking photos of Christmas lights with your digital camera can be a very disappointing experience for digital photography enthusiasts. Pictures of Christmas lights in digital photography are aimed at being crystal clear with beautifully bold colours and hopefully we can capture the delicate glow that radiates from the lights themselves.

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But...Christmas lights don't always provide the ideal digital photography experience does it? J In fact, in digital photography, Christmas lights can turnout to be smudged dots of colour, like water over ink and way too dark. The first time I took a digital photography image of Christmas lights the flash went off accidentally causing a flattening out of my images not to mention the lovely colours disappearing and it ended up just being a digital photo of the neighbour's front lawn. Not to mention how it set the dog off barking!

So just what is the digital photography secret to getting crystal clear shots of our suburban Christmas lights?

Okay now I'm going to share a secret with you. The best way to get suburb results of sharp, colourful Christmas lights is to choose the house you are going to photograph. Depending on where you live and how fast you can run, you may need to tee it up with your neighboughs first and offer them the photo. The same rules apply with your Christmas tree.

Take your tripod with you. Take your digital camera off "auto" and take it off "auto flash".

Now try a method called bracketing. Set the aperture at a wide f stop, such as 2.8 or 3.5 for example. Then proceed to try some different settings. Set the shutter to 1/30 or higher. I'd recommend, if it's really dark in the street something around the one second, two seconds or three seconds shutter speed.

There is a groovy little trick you can also do for helping you learning faster, about what works in digital photography and what doesn't. That's recording and documenting your digital photography experience. I usually take a note pad with me and write down the number photo and the f stop and shutter speed so when I look at the photos I know which digital photo has worked and what has not.

But in the dark it's very hard to write down anything so you can do what I sued to do, and that is record on Mp3 what your settings you had on what photo. For example you can record yourself saying "picture one, f stop 2.8, shutter speed 2 seconds." Then again as you have tried another setting "picture seven, f stop 22, shutter speed 1 minute."

These are just examples but they really work. Don't forget the basics with your night time photography such as wide aperture and slow shutter speed and the necessity of a tripod.

If you are in a moving vehicle for example and you are taking shots of Christmas lights from a bus or car, then you can always use the maximum aperture and a smaller shutter speed. For example f stop 1.4 and a shutter of 1/350 or higher.

And don't forget if you do have the time to set up a tripod and try the bracketing technique (ideal) also remember if you have the shutter open for a while the light can bounce off other objects such as windows and roofs. If you get too much reflective light, simply reduce the time the shutter is open.

Good luck and may you have a beautiful Christmas!

Happy Shooting,

Amy Renfrey

P.s Take a look at the photo used to describe the article; http://www.nomorebadphotos.blogspot.com

Digital Photography Tip - How To Photograph Christmas Lights

Monday, January 16, 2012

Canon EOS 50D review

Canon EOS 50D review Video Clips. Duration : 10.00 Mins.


Full review at www.cameralabs.com . A ten minute video tour around Canon's latest semi-pro DSLR, the EOS 50D, byGordon Laing, Editor of www.cameralabs.com . For our full review, sample images and current pricing, please click the link at the start of this text. If you have any questions regarding this review, feel free to post on the Cameralabs forum!

Tags: Canon, EOS, 50D, review, cameralabs

SLR McLaren with aglow anchor disk!

SLR McLaren with aglow anchor disk! Video Clips. Duration : 1.52 Mins.


CvdZijden records this Mercedes-Benz SLR McLaren Roadster during the Curbstone track event @ Spa Francorchamps. It was great to see when this car was braking hard! The brake disk was glowing at that moment, I didn't expect that!! I hope you will enjoy this video and don't forget to give a thumps up and also a comment here below, Thanks!! Also thanks to: www.curbstone.net Thanks for watching this video! CvdZijden I have also a second car channel with some more videos, if you like please visit: www.youtube.com/cvdzoneshot and subscribe here also! :) My personal facebook page: www.facebook.com

Tags: Mercedes-Benz, SLR, mclaren, Roadster, with, glowing, brake, disk!, exhaust, note, huge, corner, pull, up, Acceleration, noise, burning, rubber, staight, 722s, cabrio, volcano, curbstone, event, red-brakes, supercars, car, racing, lovely, sound, cvdzijden, 1080p, HD, video

Sunday, January 15, 2012

Simply The Best Digital SLR Camera - Period

So, you've decided to make the jump from simple point and shoot cameras into the realm of SLR photography. If you've done any sort of research, your mind and eyeballs are probably reeling from an overload of information. Digital SLR photography, is one those hobbies that is rich with technological jargon. It gets worse, if your one of the perfectionist type that really likes to minutely analyze any major purchase . . . intent on getting the best digital SLR camera for your money. You could be in for a long bumpy ride. Today it's time to shorten that ride and smooth out the bumps.

Lets get right to it. It's very true, that the immense popularity of digital cameras (SLR and otherwise) and rapid technical advances have produced a glut of choices and features that can be bewildering to the average consumer. Those same trends have have also pushed manufactures and retail establishments to be highly competitive in both design and pricing. That's something that can only benefit the consumer. In a couple of ways actually. Not only do you have a bevy of choices, but the vast majority of those SLR choices are really good cameras. Long story short . . . it's hard to go wrong in this category. I'll make it even simpler for you. Pick any one of the following three digital SLR cameras, and you won't be disappointed. They are the Canon Digital Rebel XTi, the Nikon D40, and the Olympus Evolt E510. As of this writing, the 10 megapixels flavors for these cameras are all available for about 0. That includes a basic kit lens. That feels like highway robbery, compared to the 00 I paid for a good point and shoot digital just a few years back.

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When looking for the best digital SLR camera you can find, the important word to remember is "YOU". Ask a dozen camera enthusiasts why they their favourite camera is their favourite, and you likely get a dozen answers. Every photographer takes pictures for different reasons, values different attributes in the finished pictures, and handles a camera differently. And so will you. A good hands-on exercise before making your final selection, would be to go to a speciality camera store with lots of models on hand, during a non busy time. Try out as many models as you can, taking pictures of people, things, shadows, and any odd lighting areas of the store you can. Try different lenses to. Have lots of questions for the sales people, but take their answers with a grain of salt. They are sales people after all. The actual experience of handling and using the camera should be your final factor in making your decision. Not specifications like burst mode, megapixels, ISO, or sensor size. The best digital camera, is the one that enables YOU to take the best pictures you can.

Simply The Best Digital SLR Camera - Period